For all you old ‘Trekkers’ out there, a remastered version of the original Star Trek has been found and will be sold on Blue Ray disk.
As you know, if you’re a ST: TOS geek, “Where No Man Has Gone Before”, was the pilot version Gene Rodenberry managed to sell to NBC after they rejected the first version (“The Cage”) for being “too” progressive.
- “Captain’s log, Stardate 1312.4. The impossible has happened. From directly ahead, we’re picking up a recorded distress signal, the call letters of a vessel which has been missing for over two centuries. Did another Earth ship probe out of the galaxy as we intend to do? What happened to it out there? Is this some warning they’ve left behind?”
In the briefing lounge, Captain James T. Kirk and Vulcan Science Officer Lieutenant Commander Spock are playing three-dimensional chess. Spock warns the captain that he’s about to checkmate him on his next move, but the captain is preoccupied with awaiting the bridge‘s update on the unexplained Earth-vessel distress signal. The captain notes that Spock plays a very “irritating game of chess”, to which Spock responds with “Irritating? Ah yes, one of your Earth emotions.” Captain Kirk makes a move that surprises Spock, and smiles, to which Spock simply turns to look at him. “Certain you don’t know what irritation is?” Kirk says wryly. As Spock begins to state that despite the fact that one of his ancestors married a Human female, Kirk interrupts him and jokingly chides him, saying it must be terrible to have bad blood like that. Just afterward then, a call comes over the comm. Lieutenant Lee Kelso informs the captain that the object is now within tractor beam range, and that it is only about a meter in diameter, too small to be a vessel. Kirk tells him to lock on to it, and the two of them head out.
In the transporter room, Lieutenant Commander Montgomery Scott is fine-tuning the transporter, preparing to beam the object aboard. Kirk gives the order, and Scott transports the device into the transporter room. The captain immediately recognizes it as an old-style ship recorder, one that would be ejected in the event of an emergency. Spock agrees, but states that, based on the level of damage the object seems to have sustained, something must have destroyed the ship. Montgomery Scott tries to feed the tapes into the computer, when the marker begins transmitting a signal. Captain Kirk orders red alert, and the crew go to their stations.
This “pilot” version has been broadcast before over the years in various reruns. some of the episodes of the old Trek have been digitally remastered and they look great! None of the flavor of the old special effects is taken away at all.
If you’re a true Trek-geek, this will surely interest you!
Jules Verne was the consumate speculative science writer of his era and his stories of airships flying about the 19th Century skies surely had folks looking up into the clouds to spot any anomalous seeming ‘balloons’.
Now there has been a discovery of a book of art drawn by an unknown Texan butcher named Charles A. Dellschau, who’s most curious drawings are a subject of debate:
When he died at the great age of 92 in 1923, Texas butcher Charles A. Dellschau left behind a secret and a mystery. These were a series of note books, filled with paintings of fantastic flying machines, which only came to light when his descendants had a clearout. By a process of serendipity they came to the attention of graphic designer and ufologist Peter Navarro. By decoding and translating writings in and around the pictures Navarro pieced together a tale of Dellschau’s involvement in a secret society of inventors living in gold-rush California. He created a vivid cast of over 60 characters, and a range of Heath-Robinsonish flying machine, the Aeros, with names like Aero Goosey, Aero Babymyn, Aero Honeymoon and so on. They were the work of this secret group The Sonora Aero Club, and its even more shadowy backer the NYMZA.
At the time of the discovery of these notebooks in the late 1960s there was much interest among ufologists in the mystery airships of 1896/7, and the tales of mysterious inventors which surfaced at the time. Ufologists had originally seen the airships as early flying saucers and had assumed that they came from outer space, but as they studied the airship stories in more depth and realised that many claimed contact with very terrestrial pilots, so the idea of secret inventors began to grow on some of them.
Among those who took up the Dellschau story was Jerome Clark, who made it the centrepiece of his chapter on the airship in his and Loren Coleman’s The Unidentified. Clark suggested that the mysterious NYMZA were a group of occult initiates building airships at the bidding of ‘the others’ (whether extaterrestrials or John Keel’s ultraterrestrials was never clear). By the time the book was ready for publication, Clark had repudiated this view in favour of para-depth psychological theorising, and tried, without success, to get this chapter recalled.
As shown in this book, attempts to trace the people in the Sonora Aero Club turned out to be fruitless, and Navarro himself, with obvious reluctance, accepted that the story was the work of Dellschau’s imagination. However some of the other people involved including author?/editor? Crenshaw start going deep down into crank territory, with ideas of 26 elements lighter than hydrogen (as hydrogen consists of a single proton and electron its obvious that no chemical element can be lighter, the only ‘element’ which is, is the very short lived positronium, which consists of an electron and positron orbiting each other before they mutually annihilate), and the ubiquitous Viktor Schauberger.
If this is true, it would implicate that almost all of the “airships” witnessed in the late 19th Century skies in Texas were of “earthly” origin and had nothing to do with aliens at all.
Is this misinformation like the ‘triangle UFOs’ of today?
The book of art seems to be real at least.
Maybe the guy was ‘drawing’ from Jules Verne?